It all starts with a sheet of paper. I create my illustrations by assembling three-dimensional shapes, cut by hand or with a plotter, paying close attention to every detail. The magic happens on the photo set, where I study the ideal lighting to bring out the material's depth and texture.

The final touch is in post-production, where I combine photography with digital elements to ensure a perfect file for every medium.

Each illustration starts as a digital sketch for a quick layout definition. Once the project is approved, the manual construction phase begins: this is where the two-dimensional drawing becomes a physical set, where real light and shadows define the volumes and texture of the paper.